Still from Cadences of Resistance

Experimenta

Cadences of Resistance

Resisting the enduring legacies of colonial violence and honoring those who continue to gather, speak and dream, these films transform acts of remembrance into radical forms of reclamation, solidarity and world-making.
Runtime
88 min
More information
Official film page

Screenings

all that appears solid is built on blood

  • Directors

    Izdihar Afyouni, Gelare Khoshgozaran

  • Screenwriters

    Izdihar Afyouni, Gelare Khoshgozaran, Ahmad Al-Shaer

  • Palestine-Iran-UK 2026. 11min

Reprocessed frame by frame, journalistic footage from Gaza is transformed into a haunting reflection on grief, complicity and rage through the words of poet Ahmad Al-Shaer.

Content warning

Contains scenes of graphic violence or injury.

The Muscles Are Tense

  • Director-screenwriter

    Mahshid Mahboubifar

  • Germany-Iran 2026. 16min

By reworking images of political protests in Berlin from 2024, this film essay reveals how surveillance strategies and police violence shape bodies into sites of struggle and refusal.

Content warning

Contains scenes of graphic violence or injury and racist violence.

Between Us and the World

  • Director-screenwriter

    Wallace Minchong Li

  • UK 2026. 17min

Revisiting the site where colonial footage of Sahrawi people was filmed in the 1950s, local youth confront their past while contemplating their possible futures.

No Archive Can Restore this Chorus of (Diasporic) Shame

  • Director

    Onyeka Igwe

  • UK 2026. 15min

Through animated text, layered sound recordings and reimagined protest songs from the 1947 Egba Market women’s revolt, this immersive work creates a sonic redress to colonial narratives of Nigeria.

Buckskin

  • Director

    Mars Verrone

  • USA 2026. 17min

This intimate portrait of the filmmaker’s grandfather, pioneering African-American and Indigenous forester Carroll B. Williams, transforms his enduring legacy into a cinematic poem.

Content warning

Contains racist attitudes and language.